On the Waterfront. The Making of a Great American Film
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CHAPTER 11: THE FILM AS A MORAL MESSAGE
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Arts & PhilosophyEntertainment & Performing Arts
Episodes
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CHAPTER 11: THE FILM AS A MORAL MESSAGE
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CHAPTER 12: THE ROLE OF EDIE DOYLE
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CHAPTER 13: THE ROLE OF JOHNNY FRIENDLY
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CHAPTER 14: THE CINEMATOGRAPHY OF BORIS KAUFMAN
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CHAPTER 15: SCRIPT CHANGES
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CHAPTER 16: MAKE UP AND CUSTOME
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CHAPTER 17: THE TAXI SCENE
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CHAPTER 18: THE HUAC
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CHAPTER 19: KAZAN AND SCHULBEG BEFORE THE HUAC
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CHAPTER 20: THE FILM AS AN ALLEGORY FOR THE HUAC