Episode 6.5: Evermore Queer Analysis (Song by Song) Part II

<p>Support us on Patreon ($5 monthly) for two bonus episodes every month: <a href="https://anchor.fm/dashboard/episode/Support%20us%20on%20Patreon%20($5%20monthly)%20for%20two%20bonus%20episodes%20every%20month:%20https://www.patreon.com/thearchers%20Connect%20with%20us%20on%20Twitter:%20twitter.com/TheArchersPod">patreon.com/thearchers</a></p> <p>Connect with us on Twitter: <a href="https://twitter.com/TheArchersPodtwitter.com/TheArchersPod">twitter.com/TheArchersPod</a></p> <p>In the second part of The Archers’ Evermore queer analysis, Katie and Madyson continue to explore the queer invisible string that connects happiness (0:00), dorothea (12:23), coney island (28:27), ivy (38:15), cowboy like me (50:15), long story short (1:03:51), marjorie (1:08:56), closure (1:12:38), evermore (1:18:07), right where you left me (1:27:14), and it’s time to go (1:37:16). They explain how dorothea connects to the folklore love triangle, and their theory that dorothea and augustine skipped prom together. Madyson connects coney island to All Too Well (10 minute version); Katie explains why hoax and right where you left me are basically the same song. And of course, the significance of invisible string and cowboy like me both being track 11.</p> <p>This podcast is not affiliated with Taylor Swift, her companies, or affiliated companies. All opinions are our own.</p>