S02E64 The Pleasure Pilgrims by Ella D'Arcy
S02E64 The Pleasure Pilgrims by Ella D'Arcy

S02E64 The Pleasure Pilgrims by Ella D'Arcy

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72 min
Arts & Philosophy
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The Pleasure Pilgrims by Ella D’Arcy The Pleasure Pilgrims can be seen as a love story, a murder tale or a sort of Christmas Story (though it’s not set at Christmas). But most of it all it is a story that lays bare the differences between British and Americans. They speak the same language, but they mean different things and seem incapable of understanding what the other really means. We’ve done another of Ella D’Arcy’s stories on The Classic Ghost Stories Podcast: The Villa Lucienne. That too deals with the wealthy elite who skipped around Europe staying in grand houses. There is a ghost in that story, there is one in this too—ultimately. Observations as we go along are that the hosts, the Ritterhausens, and Germans in general don’t make much of an appearance in The Pleasure Pilgrims. They add a little local colour. The setting of a grand old German castle near Hamelin with its pied piper is delightful set-dressing.  Ella D’Arcy really brings this out with the snowy train journey, the old bridge choked with ice floes, the German servant in the horse-drawn carriage in his second-best livery.  The main character, Campbell is a successful novelist. However, he is a bit of an innocent. He has some funny ideas about the purity of love and we wonder whether he has ever kissed a girl. D’Arch makes two remarks on the British character, one at the beginning when Campbell is forced to share the carriage with the two American girls. They only ride with him out of kindness to the German servant to stop the man making two trips. Campbell is, like most British people, shy, D’Arcy says.  Then at the end, when the deed is done, she refers to the ‘cold, complacent British unresponsiveness’. I don’t think this pairing at the beginning and the end is accidental. In fact, the whole story is a study of British versus American character, and the British don’t come out of it so well.  Campbell has his cynical second Maynes, who won’t believe a single good thing about Lulie and when Campbell himself

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