John Waters "Hairspray" 1988 and 2007 (Baltimore Magazine article adapted into two films)
John Waters "Hairspray" 1988 and 2007 (Baltimore Magazine article adapted into two films)

John Waters "Hairspray" 1988 and 2007 (Baltimore Magazine article adapted into two films)

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<b>Book Vs. Movie: Hairspray</b><br /><b>The 1988 John Waters Movie Vs. the 2007 Adaptation</b><br /><b>“Musicals in March”<br /><br />The Margos continue their look at “Musicals in March” with the <a href="https://www.imdb.com/name/nm0000691/" target="_blank" rel="noreferrer noopener">John Waters</a> classic <a href="https://en.wikipedia.org/wiki/Hairspray_(2007_film)" target="_blank" rel="noreferrer noopener">Hairspray</a>, which started with the 1988 movie starring <a href="https://www.imdb.com/name/nm0001442/" target="_blank" rel="noreferrer noopener">Rikki Lake</a>, <a href="https://en.wikipedia.org/wiki/Divine_(performer)" target="_blank" rel="noreferrer noopener">Divine</a>, and <a href="https://www.imdb.com/name/nm0001323/" target="_blank" rel="noreferrer noopener">Debby Harry</a>. Based on his experiences of being a fan of the 1957-1964 Baltimore teen dance TV program--<a href="https://www.imdb.com/title/tt0294018/" target="_blank" rel="noreferrer noopener">The Buddy Deane Show</a>, Waters was a huge fan of R&amp;B music. On the Buddy Deane show, the dancers were integrated, unlike <a href="https://www.imdb.com/title/tt0049993/" target="_blank" rel="noreferrer noopener">Dick Clark’s American Bandstand, </a>which was based out of Philadelphia at the same time. </b><br /><b><br /><a href="https://www.baltimoremagazine.com/section/artsentertainment/john-waters-on-keeping-the-memory-of-the-buddy-deane-show-alive/" target="_blank" rel="noreferrer noopener">Baltimore Magazine April 1985 by John Waters "Ladies &amp; Gentleman: The Nicest Kids in Town!</a>”</b><br /><b><br />Being a self-described “Super Fan” of the show, the director has a well-known career as an avant-garde-loving and bizarre artist who loves things that are in bad taste. His interest in something as wholesome as Buddy Deane made him think about writing a more accessible film about a group of teen dancers/local TV stars who fight racism and oppression with their love of music and dance. </b><br /><b><br />Given a modest budget of $2.8 million,

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