Has Asian representation in film improved with ‘Everything, Everywhere, All At Once’?

<p>It's been five years since <a href="https://www.imdb.com/title/tt3104988/" rel="nofollow" target="_blank">"Crazy Rich Asians"</a> featuring an all-Asian cast broke global box office records. Its debut kicked off the so-called <a href="https://www.nbcnews.com/news/asian-america/asian-august-comes-hollywood-will-it-last-n899611" rel="nofollow" target="_blank">"Asian August"</a> in 2018, with the release of films like Netflix’s "To All the Boys I've Loved Before" highlighting the work of Asian American and Asian artists, and with that a promise of more opportunities. Now, the movie <a href="https://www.imdb.com/title/tt6710474/" rel="nofollow" target="_blank">"Everything, Everywhere, All At Once"</a> is breaking records, and thrusting veteran and new Asian actors into a rarified spotlight. Is this the long hoped-for payoff?<br> <br> <strong>GUESTS</strong><br> <br> <strong><a href="https://cyber.harvard.edu/people/jkorn" rel="nofollow" target="_blank">Jenny Korn</a>,</strong> founder and coordinator of the Race, Tech, and Media Working Group at Harvard University’s Berkman Klein Center for Internet and Society.<br> <br> <strong><a href="http://www.elenacreef.com/about" rel="nofollow" target="_blank">Elena Creef</a>,</strong> professor of Women’s and Gender Studies at Wellesley College. She specializes in Asian American visual history in photography, film and pop culture.</p>