Garrett M. Graff, "Watergate: A New History" (Simon and Schuster, 2022)

Award-winning journalist and editor Garrett Graff has produced a fascinating, propulsive, and captivating narrative about the Watergate scandal that rocked the United States and ultimately brought down a president. The idea of Watergate has long roots in American culture and politics, but Graff dives into this historical era, knitting together the actual reality of Watergate, and correcting, or at least interrogating the mythology that surrounds the scandal itself, the Nixon Administration, and this period in American politics. Watergate: A New History (Simon and Schuster, 2022) positions the Watergate burglary and cover-up within the broader “way of life” within the Nixon Administration, which was marked by a variety of different kinds of scandals, some of which are only now fully coming to light, others had been obscured at the time by the attention focused on Watergate. Graff outlines the dark criminal and conspiratorial mindset that dominated the Nixon Administration—and not simply the paranoia that is often associated with Nixon himself. Watergate: A New History delineates twelve different scandals, with overlapping actors and characters, executing wild schemes and crimes—and Graff notes that it was rarely clear where one scandal ended, and another began. Watergate was only one of the many scandals that entangled the Nixon Administration. Even so, the fallout from the Watergate scandal included 69 individuals who were criminally charged in association with the machinations around the break in and subsequent cover-up. Graff notes that Watergate was such a spectacle because it was such a Washington, D.C. story, integrating power, ambition, the media, and politics, and all wrapped around the way things happen or work in D.C. He also notes that the myth of Watergate and the role of journalists in uncovering the scandal and reporting it out is more real than apocryphal, but that there were more reporters than Bob Woodward and Carl Bernstein involved in following the story; Jack Nelson of the L.A. Times, and Seymo