Episode 385 - Mathew Giampa - VFX Supervisor, Scanline VFX

<p><span style="font-weight: 400;">After getting on-set experience for a Canadian TV series, Mathew Giampa picked up compositing roles on</span> <em><span style="font-weight: 400;">White Noise 2</span></em><span style="font-weight: 400;">,</span> <em><span style="font-weight: 400;">Sucker Punch</span></em><span style="font-weight: 400;">,</span> <em><span style="font-weight: 400;">Journey to the Center of the Earth</span></em><span style="font-weight: 400;">,</span> <em><span style="font-weight: 400;">Green Lantern</span></em><span style="font-weight: 400;">, and more. He then moved up to progressively more challenging VFX supervision work on</span> <em><span style="font-weight: 400;">The Joker</span></em> <span style="font-weight: 400;">(yes, there were visual effects in that movie!),</span> <em><span style= "font-weight: 400;">Black Widow</span></em><span style= "font-weight: 400;">,</span> <em><span style= "font-weight: 400;">The Suicide Squad</span></em><span style= "font-weight: 400;">, and the</span> <em><span style= "font-weight: 400;">Cowboy Bebop</span></em> <span style= "font-weight: 400;">TV series.</span></p> <p><span style="font-weight: 400;">Mathew talks about the joy of invisible VFX, moving between studios and countries to further his career, and some of the incredible projects he’s worked on. He also dispels some of the myths about the importance of color accuracy and security when working on Hollywood productions, and offers a compositor’s perspective on virtual production and real-time.</span></p>