D. R. Koukal - ‘Teaching Phenomenology as a Heuristic Tool in Architectural Design’
D. R. Koukal - ‘Teaching Phenomenology as a Heuristic Tool in Architectural Design’

D. R. Koukal - ‘Teaching Phenomenology as a Heuristic Tool in Architectural Design’

Hasan(KING)

25 min
Success & Inspiration
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<p>Season five of our podcast continues with another presentation from our 2020 annual conference: ‘Engaged Phenomenology’ Online. This episode features D. R. Koukal, University of Detroit Mercy.</p> <p> </p> <p>ABSTRACT: In this paper the author will report on an ongoing experiment: teaching graduate-level students of architecture how to use phenomenology as a technique of discovery to assist them in their design process. This experiment originated in directed readings that attempted to theoretically engage phenomenologically-informed “schools” of architecture, and over fifteen years has evolved into a small seminar-workshop that is focused on having students produce their own rigorous phenomenological analyses in the service of their various thesis projects. The paper will convey the challenges of grounding non-philosophers in the demanding literature of phenomenology and its place in modern thought, and then move on to outline the basic features of the course: exposure to the “orthodox” methodologies of phenomenology; highlighting examples of phenomenological analyses of place and space by philosophers and practicing architects; and an exploration of different ways of doing phenomenology collaboratively. However, most of the paper will be focused on the “practical” dimension of the course, where every member has a say in refining an adopted collaborative methodology to phenomenologically explore a different architectural “theme” every week, all of which are chosen by the class as a whole. These explorations have taken a variety of forms over the years, including peer-reviewed free writing, directed “free” writing, sketches, illustrations, word clouds, meaning-schematics, collaborative narration, and computer-generated eidetic imagery. In the end, the author will report on the course’s successes and failures, but will ultimately conclude that the biggest challenge to any “engaged” phenomenology is motivating others to “see” or intuit what phenomenology can reveal to them, and that the best way of doing this

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