Black Ballet Legacies, TikTok NFTs, and Marisa Hamamoto

<p>A transcript of this episode is available here: https://thedanceedit.com/transcript-episode-69</p><p><strong>Links referenced in/relevant to episode 69:</strong></p><p>-Deadline's analysis of the Asian American Performers Action Coalition report: https://deadline.com/2021/06/visibility-report-broadway-diversity-aapac-theater-funding-predominantly-white-1234777827/<br>-The full AAPAC report: http://www.aapacnyc.org/uploads/1/1/9/4/11949532/aapac_report_2017-2018.pdf<br>-New York Times piece on Dance Theatre of Harlem's trailblazing ballerinas: https://www.nytimes.com/2021/06/17/arts/dance/dance-theater-of-harlem-pioneers.html<br>-Theresa Ruth Howard's essay on the reactions to Debora Chase-Hicks' death: https://www.dancemagazine.com/debora-chase-hicks-2653480846.html<br>-dot.LA story on TikTok dance NFTs: https://dot.la/tiktok-dance-nfts-jadu-2653455538.html<br>-Dance Magazine's 30 over 30 list: https://www.dancemagazine.com/30-over-30-dance-2653382555.html<br>-Marisa Hamamoto's website and Instagram page: <br>https://www.marisahamamoto.com/<br>https://www.instagram.com/marisahamamoto/<br>-Infinite Flow Dance's website and Instagram page:<br>https://www.infiniteflowdance.org/<br>https://www.instagram.com/infiniteflowdance/</p>