331. Stella Mozgawa (Warpaint) on Brian Eno ‘Before and After Science’ (1977)

<p>Multi-instrumentalist, songwriter, producer and one of the best drummers of her generation <strong>Stella Mozgawa</strong> joins me for a look at the legendary <strong>Brian Eno</strong>’s final 70s pop masterpiece (before his turn into ambient music) <em data-stringify-type="italic">Before and After Science</em>. We delve into the most interesting man in rock’s creative process, how he used the studio as his instrument and enlisted collaborators from <strong>Robert Fripp</strong> to <strong>Phil Collins</strong> (and we defend Phil’s legacy), why it’s a good thing that Eno has kept his archival vaults locked, how <strong>Warpaint</strong> have used Eno’s Oblique Strategies cards in the studio, and why you should always turn down dinner invitations from an EGOT.</p>