The Japanese House on Linklater’s Boyhood, Joni Michell’s Tuning, and Covering ABBA

<p><a href="https://consequence.net/artist/the-japanese-house/" rel="nofollow">The Japanese House</a> joins Kyle Meredith to discuss the new LP, <em>In The End It Always Does</em>. Amber Bain digs into the revealing nature of their songs, taking inspiration from <em>101 Dalmations </em>and Richard Linklater’s <em>Boyhood</em>, and how the record came from much of what she was reading. Bain also talks about Joni Mitchell’s influence on her melodies and guitar tunings, and why she chose to cover ABBA’s Super Trouper in a live show.</p><p>Listen to <a href="https://consequence.net/artist/the-japanese-house/" rel="nofollow">The Japanese House</a> sit and chat about all this and more in the new episode or <a href="https://youtu.be/_Llh7Ol-ApM" rel="nofollow">watch it on Youtube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to <em>KMW</em></a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>.</p><br/><br/>Our Sponsors:<br/>* Check out Drizly: https://drizly.com<br/><br/><br/>Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a><br/><br/>Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>