
The God Concept: A Critique of Human Perceptions
Bissam Basbosa
Description
The God Concept investigates concepts of the divine, tracing the origins of religious belief, its development through cultural evolution from polytheism to the rise of monotheism, and the emergence of Judaism, from which Christianity and Islam developed. As ancient civilizations developed in the Middle East, Mesopotamia and Egypt emerged as centres of polytheism. The Mesopotamian roots of the Abrahamic religions are demonstrated by comparison of the Babylonian creation epic with the Genesis account of creation. Additionally, many of the laws in the Babylonian Code of Hammurabi are compared with several of the laws in the Pentateuch. In Egypt, the Amarna revolution with its religious reformation by Pharaoh Akhenaten, and its worship of the sun disc Aton, produced The Hymn to the Aton. In both Babylon and Egypt there were monotheistic trends, foreshadowing the development of monotheism among the Israelites. It is suggested that the emergence of Yahwism among the Israelites may have had its origins with rebelling Canaanites fleeing from Egyptian hegemony. Eventually, when the final text of the Pentateuch was canonized after the Babylonian exile, the scene was set for the establishment of a theocracy. The consequence was fundamentalism, which dominated religious life until publication of Charles Darwin’s Origin of Species in 1859, after which attitudes changed. Darwin, a non-believer, understood man as having evolved, rather than having been created ex nihilo by a supernatural being. The power of evolution is considered, as is also the opposition by religious fundamentalists, and their legal challenges to it. The impact of the Big Bang theory and how the universe evolved is discussed. Can we conclude that the biblical creation account contradicts the known empirical facts? And what of the credibility of the God of the Bible? Is God an enigma? Or is God a concept of the human mind? About the author Stuart West is a retired English Lawyer, who is now living in Israel. Born in London in 1935, he was educated at the prog
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Épisodes (115)
Preface
Introduction
1.1 Religious belief a primitive urge
1.2 Inexplicable happenings
1.4 The beginnings of belief
1.5 Cave paintings
1.6 Shamanism
1.7 The functions of religion and art
1.8 Rite of passage ritual
1.9 Religion a fomenter of conflict from the beginning