EKR3: Gabby's World & акульи слёзы (Sharks Tears) w/ DJ Keep Roomie & DJ Karev

<p class="p1">Buy our album picks here:  <a href='https://gabbysworld.bandcamp.com/album/o-k'>https://gabbysworld.bandcamp.com/album/o-k</a></p> <p class="p1"><a href='https://sharkstears.bandcamp.com/album/experience-of-the-charm'>https://sharkstears.bandcamp.com/album/experience-of-the-charm</a></p> <p class="p1"><a href='https://www.emusic.com/album/209403644/-/-'>https://www.emusic.com/album/209403644/-/-</a></p> <p class="p2"> </p> <p class="p3">GW RIYL:  Epoch Collective (Bellows, Florist, etc.), Frankie Cosmos, Mitski, Beach Bunny, Mus, K Records </p> <p class="p3">ST RIYL:  Slowdive, 4AD Label, Projekt Label, Beach House?, Lush</p> <p class="p4"> </p> <p class="p5">Structure:  Where DJs Keep Roomie & Karev heard of Gabby’s World/Eskimeaux (up to 3:50); review of “OK” (3:50-14:45); Gabby’s voice (14:45-17ish); Her future & discography & possibly offensive language on “Year of the Rabbit” (17ish-20:59); the hipster elephant in the room & the collaborative spirit, friendship, name changes (20:59-26ish); Will DJ Karev be a solo artist or form a band? (26:15-28); An explicit hipster accusation on cassettes https://varioussmallflames.co.uk/2015/06/15/eskimeaux-o-k/. (28ish-35:09) & the quantitative social science methodology of measuring “how hipster” any particular artist/band is https://news.avclub.com/here-are-the-mathematically-determined-most-hipster-b-1798266690?utm_campaign  ; Ratings for “OK” (35:09-36:45); Transitional plug for buying our picks on Bandcamp & eMusic cheaply (36:45-37:20); Female-fronted and all-girl bands, DJ Karev’s preferences for all but solo male artists (37:20-43:00); Films of Lukas Moodysson w/ young female protagonists, especially “We Are the Best!” (43:00-45:28); Review of “Experience the Charm” (45:28-49:27); Shoegaze Vs. Dream Pop (49:27-52ish); Live versus studio work, lyrics in a foreign language, & heavy rotation (52ish-53); More on dream pop & synth-pop of greater distinction, the 80s, extreme obscurity (53-56:27); Choosing tracks to highlight (or play on college ra