Rachel Elliott - ‘The Futurity of the “We”: A Merleau-Pontian Account of Group Temporality and Improvised Music’
Rachel Elliott - ‘The Futurity of the “We”: A Merleau-Pontian Account of Group Temporality and Improvised Music’

Rachel Elliott - ‘The Futurity of the “We”: A Merleau-Pontian Account of Group Temporality and Improvised Music’

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20 min
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<p>This episode of Season 5 of the BSP Podcast features Rachel Elliott, assistant professor of Philosophy at Brandon University. The presentation is taken from our 2020 annual conference: ‘Engaged Phenomenology’ Online.</p> <p> </p> <p>ABSTRACT: Is sharing time what underpins the experience of belonging to a higher-order unity or group? In this paper, I consider the extent to which music produces collective belonging using Alfred Schütz’s idea of a tuning-in relationship among participants in a musical event. I claim that Schütz’s Husserlian account of that relationship relies too much on the idea of active synthesis, whereas the notion can be better articulated using Merleau-Ponty's conception of time as transition synthesis, derived from his idea of the habit body. This Merleau-Pontian version of the tuning-in relationship, however, foregrounds questions about musical genre, particularly in the distinction between improvised and non-improvised musics, in constituting the tuning-in relationship characteristic of what Schütz calls a ‘we’ experience. By examining this transition-synthesis in more depth, we see that it is through the projecting of compatible futures, perceived gesturally in one another, that any sort of ‘tuning-in’ relationship can occur. This raises the question about the ability of musics whose futures are distinctly unspecified, such as improvised musics, to produce the shared experience of time that underlies this variety of ‘we’ experience.</p> <p> </p> <p>BIO: Rachel Elliott is currently an Assistant Professor in the Philosophy Department at Brandon University in Brandon, Manitoba, Canada. Her research focus is the phenomenology of groups at the level of embodiment with a special interest in temporality. Her current research centers on music, particularly improvised music, as an entry point for understanding the nature of co-perception. Her future research will address questions of temporality in relation to neurodiversity, seeking to map out the limits and possibilities of group cons

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Rachel Elliott - ‘The Futurity of the “We”: A Merleau-Pontian Account of Group Temporality and Improvised Music’ - Listen Free | WowFM