Jaye Lo: Dancing in front of mosque not provocative, don’t apologise, Soyinka tells Davido

<p>Nobel Laureate, Prof. Wole Soyinka has said that no apology should be offered by popular Afrobeat artist, David Adeleke, popularly known as Davido, to some Muslims who are requesting that he apologise over an alleged offensive video clip posted on his social media pages last week.</p>, <p>Recall that the DMW owner had posted a 45-second long video clip of his signee, Logos Olori’s new song, ‘Jaye Lo,’ on Friday, July 21, promoting the song ahead of the official release. The video caused controversy as it portrayed men dressed as praying mallams, dancing in front of a mosque in a scene, rather than engaging in prayer.</p>, <p>Tribune Online reports that the ‘Fem’ crooner, after coming under heavy criticism, bowed to pressure and deleted the video on Monday.</p>, <p>While weighing in with his view on the controversy, Soyinka in a letter released Tuesday and titled “Davido Video,” dismissed the claim that dancing in front of a mosque is an act of provocation, insisting that it is an “affirmation of the unified sensibility of the spiritual in human.”</p>, <p>Reacting to the calls for an apology to the Muslim community by Senator Sheu Sani and some other aggrieved Muslims, Soyinka said, “It should come as no surprise that I equally and absolutely disagree with Shehu Sani if indeed, as reported, he has demanded an apology from Davido on behalf of the Muslim community.</p>, <p>“No apology is required, None should be offered. Let us stop battening down our heads in the mush of contrived contrition – we know where contrition, apology, and restitution remain clamorous in the cause of closure and above all – justice.”</p>, <p>Although Soyinka stated that he is yet to see the clip in question, he, however, maintained that dancing around a religious setting is a fundamental freedom all artists should be entitled to.</p>, <p>He said, “I have not seen the clip, but I insist on the right of the artiste to deploy dance in a religious setting as a fundamental given. Such deployment is universal heritage, most especially applica