Unstrung: Rants and Stories of a Noise Guitarist

Iconoclastic guitar player Marc Ribot offers up essays and stories in this darkly funny and subversive debut collection."Ribot is an all-American original, and this collection provides plenty of insight into his fascinating mind." (Kirkus Reviews)"Unstrunghas all the honesty, original angles, beauty, and clangor found in Marc Ribot’s playing. His compassionate writing about Frantz Casseus gives a human face to his calls for artists’ rights. Like life itself, this book is bloody, funny, and bloody funny." (Elvis Costello, musician)"An insightful tour through the razor-sharp mind of one of the world's most original and influential guitar masters. Ribot's acerbic wit, self-deprecating humor, and profoundly vexing love-hate relationship with all things guitar make for a fun and stimulating read." (John Zorn, musician)"Ribot writes with great care for words, for sounds.... A good writer, like a good musician, and Ribot is both, needs to know what they're composing to be able to understand it, maybe even do it better the next time. His stories are moving and compassionate...revelatory, honest, and insightful." - Lynne Tillman, from the Introduction"In the beginning, we may have thought Marc Ribot was a full-time Lower East Side tenants rights activist who moonlit as an ubiquitous downtown noise guitarist. Now we come to find out he's a phenomenal essay writer who has the nerve to be one of our loudest and most beloved electric jazz improvisers...[Ribot] composes essays about music and life of sublime wit, probity, and severe self-reckoning." (Greg Tate, author ofEverything But the Burden: What White People Are Taking from Black Culture)Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in his first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays, short stories, and the occa